Showing posts with label Tokyo Mafia. Show all posts
Showing posts with label Tokyo Mafia. Show all posts

Saturday, December 31, 2011

2011 Yakuza Film Awards

With 2011 drawing to a close, we are going to revisit the Yakuza movies that were dutifully examined this year with the first annual Yakuza Film Award Show.  Five movies have been reviewed this year, and each, in their own way, had something to offer.  So we'll be highlighting those offerings by awarding the best of the best with  The Yakkie - a golden statuette of Takeuchi Riki.  Nothing says ridiculous Yakuza mayhem like Takeuchi Riki, so what would be more fitting than a golden statue in his honor to award the movies in contention this evening?

It took a lot of thought and debate from the Yakuza Film Academy, and after much debate, three stabbings, and a shooting, consensus was at last reached.  The categories were developed with much thought, and the most deserving winners will go home tonight with a scowling Yakkie to put on the mantle in a display of epic awesome that they have earned with blood, sweat, tears, and a back alley mortal combat death match.  The movies in contention for the epic golden statue are all of the ones that were reviewed in 2011.

So, without further ado, on with the show.  Tonight, we have a variety of categories that touch on all of the important things in Yakuza films, like death, destruction, and bravado.  Our first category is:

Biggest Show of Epic Badassery.

There was a fight to the death for this category, as after all badassery is the staple of the Yakuza film.  However, the creative self-mutilation in the name of preserving one's Yakuza honor displayed in Tokyo Mafia: Yakuza Wars (1995) clinched the win for Takeuchi Riki.  Sure, cutting off your own finger as an act of contrition already smacks of bad-ass, but Takeuchi Riki took it a step further - he bit off his own finger.  And in the eyes of the judges, that's just beyond bad-ass.  Well deserved, in my estimation.

Best Lunatic.

Most Yakuza films have crazy people. It comes with the territory.  But outright lunatics are fewer and farther between.  Had Takashi Miike's Like a Dragon been reviewed this year, Kishitani Goro would have taken home the gold with his portrayal of Majima.  But since he's not in the running, the Yakkie for Best Lunatic goes straight into the hands of Jo Akio for his portrayal of the nameless psychotic Chinese gangster-assassin in Blood.  Without any dialogue to speak of, this lunatic killer offs his victims by suffocating them with plastic bags, all the while with a wide-eyed frozen grin.  I'm not sure if it's creative brilliance or pure uninspired hackery, but it stood out, and that's what counts.

Most Derivative Yakuza Film.

1995's Score was a heist movie in more ways than one.  It stole liberally from Reservoir Dogs, Pulp Fiction, and, oddly enough, Jean Claude Van Damme's movie Hard Target.  And when I say stole, I don't mean it was inspired by, but that it literally took everything from costumes to concepts to plot points to actual scenes, and recreated them. Normally that kind of thing will get you sued, but in the case of Score, it scored it a golden statuette.  The movie was interesting enough, if for no other reason than to see the variety of ways it recycled old movie parts from Quentin Tarrantino and John Woo, and so the win is well deserved.  After all, every movie needs a gimmick, even if the gimmick in question is that is rips off entire plots and scenes from another movie.  It's a valid gimmick.

Film with the Most Random Characters.

Katsuhito Ishii's Party 7 was short on plot and purpose, but it did have an interesting cast of eclectic characters.  Everyone from the bumbling Yakuza, Miki, to his super hot ex-girlfriend to her strange and wimpy current boyfriend, to Captain Banana and Okita Soji, to everyone else - they each bring something to the table, even if it's just a little quirk or odd manner.  Miki is the presumed main character, but everyone gets equal play, and in a movie where the plot doesn't really matter, that's important.  And each character is so random and wildly different than the next, it helps keep an otherwise pointless movie interesting.

Most Creative Death Scene.

In standard Yakuza films (outside of some of Takashi Miike's more bizarre outings), deaths are pretty standard - bullet to the head, knife to the gut, etc., but in Takeshi Kitano's 2010 Yakuza outing, Outrage, creative uses of brutality become the standard.  You've probably seen the clips on YouTube of heads smashed with rocks, epic uses of rogue dentistry, gunshots and bomb blasts, but the one stand-out kill of Outrage (Spoiler Alert) is the death of Kippei Shiina's character Mizuno.  I'll limit the spoiler by saying it involves a car and a length of rope, and it falls into the realm of "more difficult than it's worth", sort of like the bad guy in a James Bond movie using a slow-moving lazer to eviscerate the hero who is tied to a table, when a bullet to the head would be much more expedient.  Either way, kudos to Kitano for coming up with it - this is why we watch Yakuza movies in the first place.

Most Violent Film.

And now for the Yakuza Film Rundown's version of Best Picture - the most violent film of 2011... and the award goes to Takeshi Kitano for Outrage. Outrage didn't have the biggest body count of the films reviewed in 2011 - that would probably go to Blood - however Outrage displayed some of the most visceral and disturbing violence of any movie reviewed this year.  Kitano was apparently making up for lost time with his latest flick, and that's why we love it - mean spirited gangsters killing each other off in betrayal after betrayal with uninhibited brutality, and without even the morbidly comforting pretext that it was justified; that's just how these guys are, and the win is well deserved.

That's it for the Yakuza Film Rundown awards for 2011, see you next year, where we'll be bringing you even more reviews of films from the Yakuza film genre.  And more violence.

Saturday, April 30, 2011

Tokyo Mafia: Yakuza Wars (1995)

Takeuchi Riki, the undisputed world heavyweight champion of V-Cinema stars in the four-part epic (well, not really epic - it's no Dune) Tokyo Mafia.  The first movie in the four part series is Tokyo Mafia: Yakuza Wars, which tells the tale of an ex-Yakuza member, Yabuki Ginya (played of course by Takeuchi) who builds his own syndicate from the ground up, first just to make a buck, but by the end of the movie, his goals become more lofty: to take over all of Kabukicho in Tokyo! (Cue dramatic music here). Kabukicho, of course being the setting of many a Yakuza film.  I haven't been to Kabukicho since 2004, but it would be an understatement to say that it had its share of strange and creepy people lurking about.

The Plot.

Ginya Yabuki is a successful criminal on the fringes of Kabukicho, dealing in whale meat and flash memory chips (apparently hot technology back in '95) with a small group of six comrades (explained later as more of a secret society than an actual Yakuza group).  But it wasn't always like this.  Yabuki used to be a member of the Yamaryu crime syndicate.  However, by cozying up to the boss he earned himself a major beat down from the 2nd in command of the Yamaryu group, Iwagami (Played by Yakuza film veteran Osugi Ren, from Sonatine, Shinjuku Triad Society, and can be seen snorting a 15 foot line of coke in Dead or Alive). After getting his face bashed in and an ashtray to the head, Yabuki turns the tables on the overzealous Iwagami by pulling a gun and shooting him in the leg.  He bites off his pinky in a spectacular show of badass atonement for his actions, and resigns from the syndicate, followed by his well meaning but not so bright lackey, Yuki, played by Ozawa Kazuyoshi (That's right, the younger brother of always awesome Ozawa Hitoshi from Yakuza Zombie and Wild Criminal).

Nowadays, Yabuki is content to make his cabbage in deals with the various criminal organizations around Tokyo, including the Chinese mafia (who have a habit of cutting off limbs of people who oppose them), and spreading the cash around the guys in his little group - including some white dude named "Smith" (who doesn't seem to speak any Japanese and never really says anything beyond  "OK Boss", but who I also swear I've seen in the same role in other Yakuza films).  But, as the money rolls in his small cadre starts to grow, and his old Yakuza connections start to get interested in Yabuki's goings-ons.  His old friend Sho Saimon helps broker a deal between Yabuki's group and the Yakuza.  But quickly the various Yakuza groups want a bigger piece of the pie, and in the words of Yabuki, "Can 70 men stand against 3,000?"

The Characters.

When Takeuchi Riki is handed a script, he seems to take his slide-rule that extends from "good-natured" to "badass", slides it in one direction or the other, and that's how he plays it - some in the biz would call that "limited range".  I prefer "consistent".  In this case, the Rik-O-Meter was cranked mostly over to the "good natured" side. Takeuchi was still badass enough to bite off his own pinkie finger, but even that show of badassery pales in comparison to many of his more over the top roles, for example, Dead or Alive or Yakuza Demon.  All in all, Takeuchi is just doin' his thing.

Already mentioned above, we have "Yuki" played by Ozawa Kazuyoshi, who is loyal to a fault to Yabuki, but also not the sharpest pencil in the box.  At first I actually thought I was looking at a young Ozawa Hitoshi, but a quick check of the DVD case, and then a foray into google introduced me to Kazuyoshi. Either way, he wasn't really given much to work with, so I wasn't able to really rank him as an actor.  But after Wild Criminal, I've come to idolize his brother Hitoshi, so I'm still willing to give him a chance.

Also mentioned already was Osugi Ren, who plays Iwagami, the shifty and conniving 2nd in command of the Yamaryu syndicate.  Typical of enemy Yakuza  bosses in Yakuza films, he has more ambitions than brains, and Osugi plays him with an extra dose of exasperation.  Sho Saimon, Yabuki's oldest friend, is played by Imai Masayuki, and really comes off as just a really nice guy - even though he's a Yakuza you don't really sense and ounce of bad in this guy, which (spoiler alert!) actually gets me interested in how the eventual confrontation between Yabuki and Saimon goes down in part 3.

The other characters that round out the cast include Ryoko, Yabuki's younger sister who is supposedly fluent in English, Chinese, and (obviously) Japanese, but in reality her English sucks chilled monkey balls - I guess the Japanese audience wasn't expected to pick up on this (and she apparently doesn't rank enough of an actress to get her name on the DVD case either).  We also have Moriwaki, played by Yamamoto Shohei, who is the head of the Teito-kai,which is the organization that controls most of the Yakuza groups, including Iwagami's Yamaryu gang.  Moriwaki can best be described as your creepy uncle who was never married, and has a fetish for young men and whale meat.  Or, let me put it this way - all of the homoerotic scenes in this movie involve Moriwaki.  One strangely NOT homoerotic subtitle did catch my eye though:


The Violent Rundown.

Oh yes, Tokyo Mafia: Yakuza Wars delivers a full plate of B-movie violence, including 5 shootings, 5 dismemberments, including Yabuki's bad-ass finger bite kejime, at least 2 brawls, at least 4 beatings, blunt force trauma, bone snapping, face slashing, and an eyeball rupture or two thrown in for good measure.



The Final Verdict.

Yakuza Wars is so straight-to-video that the DVD transfer looks like it was done from an old VHS tape, and the soundtrack is the typical goofy synthesizer jazz track that I hear a lot from these hardcore B Yakuza movies.  But, it is what it is, a total B movie, and Takeuchi Riki fans will be happy with the result.  Probably in the context of all four movies (which I haven't seen yet) I'll be able to better judge the film, but on its own, it's not terrible and it is entertaining, but that's assuming you're already a fan of the genre. I can't imagine Tokyo Mafia creating any converts, but if you like this kind of thing, I think you'll be down with me when I say, it ain't terrible.  I had to wrestle a bit with where to place it, since it's really no worse or better than Wild Criminal, but that movie has more violence, more hot chicks, and Ozawa Hitoshi, so I'm dropping it down just behind Wild Criminal.  Not sure what it says about the movie when the best thing I can say about it is that it's not terrible, but I've said it before and I'll say it again - it is what it is what it is.  Enjoy!